Monday, April 13, 2009

Irrelevant News


My hair is now red (ish). 
Maybe this will make me a better poet/more creative/cooler? 
Hmmm...doubt it. 

Elegy for My Father

Even before you decided to die
something inside you dried up.
I'm sorry I failed

was all you could say,
and not even in person.
I need to see you

someone called to me, beckoning me
down the hallway of my grade school
to my mother waiting

to tell me
what you did.
It wasn't small.

Where are you, John?
your answering machine cried.
I still can't locate you.

I'm still sifting through
all these dishes and sweaters, aching
to make you into something,

to make this into something
I can give you, something
your smallness can hold. 

Sketch of My Father

I think he smelled like leather, something rich
and warm, like the hands he trailed up
and down my back when I was five
and angry that he was leaving me
with only the swing set he's built by the house
he'd no longer live in.
Or maybe that smell
came later when he bought a car with black
leather seats and started listening to country,
though we knew he really loved the blues
and a good trumpet solo to wail out the truth
that mistakes happen and that he couldn't go back
to happiness just by putting his car in reverse.
He kept it in the garage. One day he shut the door
and played those blues until the gas ran out.  

Saturday, April 11, 2009

Faithless

Lying beside him, she confesses she's always been afraid
of jellyfish: You just can't trust a body you can see through.
In aquariums, they paint the walls of the tank bright blue
and shine neon orange spotlights on the swarms
so onlookers don't stare straight through them, 
so they get their money's worth. They look
like balled-up Kleenexes with snot hanging down,
like the bitter aftermath of an argument between lovers,
but better snotty than invisible, because unseen
things aren't worth five dollars, unless it's a magician
who wears a suit with red satin lining and disappears,
only to come back and bow for the cheering crowd
of old ladies who probably paid fifty dollars just to see him,
then not see him. They could have just walked out
of the theater to do that, but the magician's way is flashier
and eerie, like a tank full of jellyfish ready to sting.
She wouldn't trust that man either, though she might
not fear him like the depths of the ocean. 

A Severing

Our hands intertwined
with the warmth of water and Dawn.
I scrubbed with a dull rag
until the water became murky 
with settled scraps of dinner. He dried
lazily and stacked his grandmother's plates,
eroded with time, like the splintery cottage cabinets.
As he waited for more work,
his square piano hands played
around my waist and his breath
hit the back of my neck, singing
Tupelo Honey. And when I caught
his eyes, I saw the boy that was
and the grandfather
that might be in there, someday.
And I though, this is something steady,
trying on this old married life
to see if the hemlines hit the right places.
I think we are ready, poised
on the edge of our life. But the edge
of a knife struck me first,
melting into the pad of my thumb.
In my confusion he disappeared. And I don't know
if he continued to dry as I bled—it was his mother
who came and cooed over me, bandaged my wound.
And I sat like a child in the window seat
trying to hold back fear and willing
my blood to clot faster.

Friday, April 10, 2009

My Sister's Map

I used to sleep beside my sister
when a stuffed bear wasn't enough
to protect me from monsters. 
And I stared at the map 
across from her bed,
looking sideways at Russia,
making lizards and dogs
out of North America
until I fell into dream 
adventures in Indian jungles
and treks along China's curves.

Now, when dreams of penguin colonies
warming each other in the vast freeze
won't come, I feel my way along the wall
into her empty room, and I find
my sister on her map,
place my finger on her
heart in the ochre-colored
country at the tip of Africa.
I once envisioned only
elephants and giraffes there,
but my sister dreamed of children
with beads braided in their hair.

To Virginia Woolf

If I could sit by anyone
on this train, it'd be you

and we'd wonder quietly how
the compartments don't run out

of air, how we keep on 
breathing and thinking each other

into existence—thinking that old 
man with the tweed hat on his lap

into existence, thinking that young
girl with her forehead to the glass

into existence—while the stones 
in our pockets sing a frigid

river where we will hold 
ourselves under; except 

I can't, because I'm afraid
of choking and the infinite black

at the bottom of things, but you,
you are brave as you lean across

the space between us to ask
me where we are going and why

it doesn't stop.

 

Thursday, April 9, 2009

Ars Poetica

(FYI, an "Ars Poetica" is a poem about writing poetry. We're a little obsessed with our own process.)

I. 
Every essay I've ever read about Virginia Woolf
is full of one word: transgress.
It seems she's always violating the laws
of time and breaking into that sacred space 
between people. Always
lurking there, uninvited,
in the unspoken.

II.
Once, a poem crept up behind me and struck
me in the ear: What the hell is wrong with you?

It apologized later, of course,
and we went out for coffee as if nothing
was ever between us.

III.
I want to slip into small spaces,
hushed and ready to explore.
I don't really want to steal these
inner parts of you, just remember 
seeing them, and keep that.

IV.
Some days, I want to write 
without asking permission.
Some days, the words
punish me for this.

V.
We come together. We fall apart.
I call out to you, not sure
if the answer will be
a rocky echo or your faint song,
lingering in the air like the light pull
of a bow over cello strings.
The distance between us may be
too vast to transgress with words.
Still, I call. I chant. I sing.  

Hi Mommy



So...I get bugged a lot (especially by my Mommy) to share my poems/writing with people. Therefore, I'm starting up a blog (which I will hopefully keep up on) to post my poetry, so you no longer have to harass me about it. 

I love you Mommy. <3>

Liz