I know where you will be standing,
Gargoyle Psalm
We’ve come home
Your High School
It must have looked like a bottling factory,
the kind that uses brown glass
so you can’t even see
what you’re bottling up
or drinking down. You always drink
to get drunk. Once, you were sweating
and buzzed so you took off
your shirt, but you asked first
if it was okay. You looked shy
of your tattoos, but read me the story
of all that ink anyway.
Sometimes I could imagine
the hallways and lockers
rolling, lush and romantic
as the valley of Wheeling,
West Virginia where I once tasted
the river air’s Southern twang.
But your West Virginia keeps peeling in,
covering everything
in that pukey pea-soup color
of your bile or snot
or whatever you spit out
after they beat you so bad
against the cold metal doors.
Then comes your blood
sweating brown through the paint.
I’d liken this to Jesus
giving up in the garden, except
you’re no savior.
And I’m no savior,
but I could take you
to the staircase where I fell
and bled inside,
my muscles bruising
so bad I could only crawl
away and lie
on my stomach, waiting.
I could force
cold plastic oxygen
up your nostrils, or
show you the last picture
of my father before he
breathed in too much
carbon monoxide.
I could write your name
in Hebrew, fax it
into the anonymous
hotel-room mess
of your sheets and stale food.
Because everything is
sacred in Hebrew.
Even our scars.
Last Chance Riversong III for Virginia Woolf
When I laid my temple down on my watch and rose
imprinted with time, I thought of your pockets,
their stones always intent on etching their way into you.
Here it’s the rain that sinks deep.
The worms rise up to keep from drowning,
and I start fearing the things that my skin has soaked up:
your stones, your sadness, and all the whale songs
haunting my blood. I’ve heard whales
can’t survive without those ethereal currents
of music passing between them. When they sing,
they tell me it was the silence that pulled you under,
not the sorrow of the water. If these stones
begin to deafen me, I’ll bring a cello to your river and wade in.
I’ll make it hum underwater, and let your echoes settle on my skin.
From the Last Ice Age
Someday you’ll find me, you said, like an elephant in the snow.
You were always mysterious like that, saying things I never understood.
It never snows here, but I still look for you. Last week I held my breath when
I heard they unearthed a baby woolly mammoth from the tundra and named her
Lyuba. It means ‘love’ in Russian, although the man who found her didn’t love
her right away. He accused her of bringing an omen of death. Of course,
later he felt protective of her delicately frozen body. Just a baby after all.
He decided a museum would be a good home for her, but she never got there,
because the scientists loved the idea of her too much to let her go. They came
for her with probes. Frightened by such possessive love, Lyuba disappeared.
Let herself be stolen away by a villager hoping to make a profit. But the scientists
bartered for her and drilled holes through her fur, probing inside her. Blue crystals
in her lung cavities. And mud. She suffocated in it, they decided,
trying to cross a stream. The silt and clay swallowed her up and pickled her,
so her body remained whole for millennia, though gnawed at by time and wild dogs.
The scientists said this was important, knowing the means of her death and preservation,
though as far as I can see none of this will ever revive anyone—especially not Lyuba.
I hope when I find you someday and dig you up from the snow, I won’t make
such a fuss about deciding how you stayed intact all these years. I hope I’ll remember
just to scoop you up in my arms and give you the home you’ve been waiting for
while caked in mud and endlessly passed from hand to hand.
Alright folks, that's all I have for you right now. More to come soon though...
-Liz
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