Young Love
I.
Stitch a marigold behind your ear,
dollface,
and jump in.
The borders of my body blur with the river stones. Mud
floods my ear canals,
and it will rush inside you too, if you let your boots
sink you down.
I never wanted to whistle you a love song, but you are
part of my backyard now,
so how can I not worship your every snail and pike and thistle?
Let me start with your spine, sighing over
every little notch.
Let me lick the sweat
off your thighs
where your sunburn ends
under your shorts.
I’ll taste the veins in your ankles
and the toothpick-size hole
in your heart wall
that spurts blood
between cavities that should be separate.
From there I’ll move to your spleen
and marvel its ability to destroy
your used-up
mixed-up blood cells.
Don’t mind the prodding, doll,
or the scalpel—
it’s only the river leaving its twine stitches,
sewing up those courtyards I could never leave
undestroyed.
II.
Girl stands knee-high in the Mississippi,
spine like railroad tracks.
She searches for flat stones to skip,
searches for stones to flatten
pressing them against the thick
scar tissue
on her abdomen and tongue.
She glares at the sun like it’s a half-naked boy
—his reflection is all over the place,
churning up too much water for skipping stones
or kissing snails
or sleeping through the night without his stitches pricking into her side.
Don’t be so cruel, she says.
Don’t step on my thistles, he says.
III.
Boy licks her river-wet thighs
Why don’t you taste
like pike? he licks
in sticky cursive.
He sculpts the skin around her leg
searching for hints of fin
but finds only freckles
and skin peeling off in flecks.
Boy paints scales on her calves
connecting the freckles like kites tangled in trees.
He flays a fish while it’s still squirming
and pastes its green scales on her legs
with mud and spit. She squirms away,
throwing herself back into the river
Why don’t you taste
like a human? she stares.
Hold still, he licks.
Let me unhook your lip.
Let me kiss it.
IV.
When I first met you, I watched you carve yourself
out of the riverbed
out of that deep red clay. Newly born, you
scraped the ashes off your neck and asked me to kiss it.
But there was a spider crawling on it,
so I bit open your jugular
to drown the spider.
I think you may have drowned a little too,
but at least those legs curled up on themselves.
If spiders didn’t bite, I’d have kissed you.
If thistles didn’t pin my soles to the earth, I’d run now
and wrap my legs around you. I’d let you lick them
even though they’re burnt and bloody
and teeming with red ants
that bite.
Our mouths
bite too,
despite this thing we call love
and your blood runs
down my ankles until ants pool at my feet.
Darling, I’m not trying to wash you off my legs
in this river, I’m just standing
in the current because I want to be inside
something I can’t see the end of.
V.
Girl floats on her back, marigolds all around her
and one thistle on her chest
where her heart makes it quiver.
Boy wades in, trying to use pike for stepping-stones,
but he slips and swallows a marigold.
Girl rushes to kiss it out of him, but when she bends to his mouth
he coughs out ants instead of petals.
She pushes away,
pushes him downstream
and watches as the river carries him to Louisiana.
Send me a postcard covered in camellias, she calls,
or a vile of salt when you first taste the ocean.
What if I love New Orleans more than you? he hollers back.
Then I guess you’ll have to kiss the dirt and not return my letters.
Boy floats on his back, resting his palms
on the stitches across his flanks.
Girl lays down on the riverbank, resting her palms
on the stitches across her flanks.
Hi, Liz: This is a wonderful poem, rich and erotic and slashed with the near edge of longing. I love its supple movement through theme and variation. You must have one hell of a portfolio....
ReplyDeleteWow, James, thank you so much. I appreciate the kind feedback.
ReplyDeleteI'm not sure my portfolio is that great. I certainly still have a lot to learn. But it's fun to stumble into poems like this one along the way.